The rules are simple:
I have uploaded two basslines, the first one is the dry version and the second one has got effects on it. All you need to do is to listen to both and tell me what eq settings I used (what did I cut or boost) on the second one. Don't worry about how much I have cut or boost just tell me the frequency.
For example, maybe you might say there is a cut at...and there is a boost at...
and you have to tell me which other plugin(s) I used. You don't have to tell me the settings of the other plugin(s).
All you have to do is to leave a comment below to answer and stand a chance to win the plugins. And remember to comment using the same name you used when filling the form on my blog, so that I will know where to send the plugins. If your answer is correct but you commented as anonymous, you won't get the price, I will give it to someone else. To write your name look for "comment as" then select "name and url" and enter your name, and click the preview button before posting the comment.
If there's anything you don't understand you are more than welcome to ask your question in the comment section.
Bass #1 by Nytshade
Bass #2 by Nytshade
Good Luck And Don't Cheat :D!!!
This site works perfect with firefox internet browser you can download it here
Click The Image To Enlarge it!
I've uploaded a picture to make everything easy, because there are some people who don't understand music production language. As you can see in the picture there's a boost at 92MHZ, a cut at 245MHZ, another boost at 4.2KHZ, a low cut at 50MHZ and another cut at 15KHZ. There's also a subtle amount of compression and if you take a look at the send channel you will see that there's also a small amount of distortion.
So since no one got the correct answer I will give it the person who was close enough. It was really difficult to choose the winner. It was between Lewis.72 and Jonas Sorensen. I chose Jonas Sorensen because he included the High and Low pass filters.
Congradulations to Jonas Sorensen, I will be contacting you soon.
I have uploaded two basslines, the first one is the dry version and the second one has got effects on it. All you need to do is to listen to both and tell me what eq settings I used (what did I cut or boost) on the second one. Don't worry about how much I have cut or boost just tell me the frequency.
For example, maybe you might say there is a cut at...and there is a boost at...
and you have to tell me which other plugin(s) I used. You don't have to tell me the settings of the other plugin(s).
All you have to do is to leave a comment below to answer and stand a chance to win the plugins. And remember to comment using the same name you used when filling the form on my blog, so that I will know where to send the plugins. If your answer is correct but you commented as anonymous, you won't get the price, I will give it to someone else. To write your name look for "comment as" then select "name and url" and enter your name, and click the preview button before posting the comment.
The Competition Ends 25 September 2010
If there's anything you don't understand you are more than welcome to ask your question in the comment section.
Bass #1 by Nytshade
Bass #2 by Nytshade
Good Luck And Don't Cheat :D!!!
This site works perfect with firefox internet browser you can download it here
Click The Image To Enlarge it!
I've uploaded a picture to make everything easy, because there are some people who don't understand music production language. As you can see in the picture there's a boost at 92MHZ, a cut at 245MHZ, another boost at 4.2KHZ, a low cut at 50MHZ and another cut at 15KHZ. There's also a subtle amount of compression and if you take a look at the send channel you will see that there's also a small amount of distortion.
So since no one got the correct answer I will give it the person who was close enough. It was really difficult to choose the winner. It was between Lewis.72 and Jonas Sorensen. I chose Jonas Sorensen because he included the High and Low pass filters.
Congradulations to Jonas Sorensen, I will be contacting you soon.
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